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The Infinite Wait

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That book I’ve been rambling on about for forever is finally available! The Infinite Wait, published by Koyama Press, is a 228 page collection of 3 short stories about all the jobs I’ve had since age 6, being diagnosed with systemic lupus when I was 20 and the role libraries have played in my life from childhood to present day. We will not be putting the book on Amazon for quite some time, if at all, so I’ll provide you with a few choices for ordering. First, you can order it from me (see below) which is the most appreciated way since such orders are my only income right now. Packages range from $25-$50. Or, since I know purse strings are tight, you can order it from Secret Acres at the sticker price. After your purchasing options, please scroll down for more info about the book and for a lil’ story about how it came to be.

-There are also more purchasing options in the store, if you’d like to also buy Drinking at the Movies or the Fart Party vol 1, as well as choices for various bundle packages-

Koyama Press has a peak inside of the book and short description, which I’ll poach for this site as well. I also have a number of sample pages posted on this site that you can view here .

“The Infinite Wait and Other Stories is latest book from Julia Wertz, the critically acclaimed author of The Fart Party Vols. 1 and 2 (Atomic Books, 2007 and 2009) and Drinking at the Movies (Random House, 2010). In contrast to her last book, which was a full-length graphic memoir, The Infinite Wait is not a sustained narrative, but rather a collection of three short stories or graphic novellas. The stories in this collection contain Wertz’s signature acerbic wit, ribald humour and keen eye for the everyday, but they also find the cartoonist delving into the personal. “Industry” catalogues 25 years of alternately terrible and terrific jobs, from selling golf balls, feeding and failing to feed animals, waitressing, and finally to cartooning and the publication of her first book. “A Strange and Curious Place” is a love letter to Wertz’s hometown library; its mysteries and revelations, and its ability foster growth, rebellion and even artistic affirmation. The most sustained narrative in the collection, the eponymous “The Infinite Wait,” chronicles Wertz’s move from her small hometown to San Francisco, her diagnosis with an incurable, auto-immune disease and her subsequent discovery of comics and comic making.The collection’s title, The Infinite Wait and Other Stories, intentionally and ironically recalls the vacuous and pretentious book titles of the literary elite, but these stories are the polar opposite of pretension. They are comics born out of illness, but not defined by it, and they are filled with the sometimes messy, heartbreaking and hilarious moments that make up a life.”

A bit of a back story: The main story in this book is about being diagnosed with systemic lupus in 2003, a story that I originally started almost 10 years ago and then put on the back burner while I went and made a buncha trouble in real life. When I was done with that racket, I revisited the story and decided to flesh it out and do a book. By that time, I was working with a big publisher and I approached them and others with the idea, and was promptly told it was not mass marketable and that I should try doing something else more appealing. I don’t think that satisfying creativity is made in the confines of “mass marketability” unless that’s already an avenue the creator has pursued or easily falls into and I had no interest in working like that, so I took my book idea to Annie Koyama of Koyama Press and she enthusiastically agreed to publish it. I’m grateful for my time with a big publisher but I’m incredibly happy to be back with “my people” who’s work and passion (what a gross word, sorry) lay in comics, whether they’re a hit or not.And so, kind reader, I’m appealing to you now to buy this book either from me or from Secret Acres and prove those industry folks wrong. The publication of this book was done in the regular comics way (read, no money involved) until the book goes on sale. Although it’s not a lucrative way to make money on a project, it is satisfying to know I’m seeing money from what I sell, not from what people it suits think I might sell. There’s been a lot of talk about how comics were briefly swept up into big publishing and are now going back to their roots with small/boutique presses, and I’m happy to say I’m one of them. Many thanks to Annie Koyama for making it possible.That was a lot of text, lets show some pictures now! Here’s the back of the book and some things people said about it:

Here’s the full cover (french flaps out) designed by the formidable Matthew Forsythe, and Annie picked a lovely woven texture paper with french flaps. You know, if you’re into nerd stuff like that.

Note: there is a printing error in this book- page 94 is a double. Here is the missing page 93. Please see the events page for all upcoming book release parties, readings and comic conventions.

 


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